SENE Musicians
Dean Cascione is an American Neoclassical Shred Guitarist who is an innovative force in today's shred guitar scene. In a genre overflowing with self-proclaimed speed freaks, Cascione is committed to shattering the shred stereotypes, delivering melodic NeoClassic Metal filled with passion and contrast. Experts have described Dean’s command of the instrument as “ A showcase of Neoclassical fretboard pyrotechnics”, "Dangerous with a guitar," "Vicious, high tech and aggressive," "Channeled the spirit of Rhoads and the best of Malmsteen," and "A bright star on the international guitar scene."
"Shred Crusade" is Dean’s latest chapter of pure NeoClassic Metal which is scheduled for a Spring 2015 release. Joining Cascione on this epic adventure rides a cavalry of guitar wielding wizards to include: David "The Shred Demon" Shankle (DSG, Devil Land, Voodoo Gods, MANOWAR), Joe Stump (Joe Stump Band, Holy Hell, Reign of Terror, Exorcism) Dave Mercado, Kenny Lane Schwartz and Paul Ranieri (Shadow Eden). Influenced and inspired by decades of metal and classical music, Cascione holds the NeoClassic torch high and proud, as he prepares to deliver another volume of powerful guitar anthems! Dean is an endorsed by: DC Custom Guitars, MC Guitars, Voodoo Amps, SIT strings, GraphTech, GuitarHeads, DOD/DigiTech, AMT, Ollmann, and Neo-Classic EFX. www.deancascione.com
"Shred Crusade" is Dean’s latest chapter of pure NeoClassic Metal which is scheduled for a Spring 2015 release. Joining Cascione on this epic adventure rides a cavalry of guitar wielding wizards to include: David "The Shred Demon" Shankle (DSG, Devil Land, Voodoo Gods, MANOWAR), Joe Stump (Joe Stump Band, Holy Hell, Reign of Terror, Exorcism) Dave Mercado, Kenny Lane Schwartz and Paul Ranieri (Shadow Eden). Influenced and inspired by decades of metal and classical music, Cascione holds the NeoClassic torch high and proud, as he prepares to deliver another volume of powerful guitar anthems! Dean is an endorsed by: DC Custom Guitars, MC Guitars, Voodoo Amps, SIT strings, GraphTech, GuitarHeads, DOD/DigiTech, AMT, Ollmann, and Neo-Classic EFX. www.deancascione.com
Providence, RI singer/songwriter, Mark Cutler leads a variety of roots-rock bands, combines powerful lyrics with memorable melodies and driving rhythm. He spins tales about men who drink alone or hover over a lover. He sings stories about ghosts, midget wrestlers, walking in the woods, being remembered, just being alive and getting used to this. Former Schemers and Raindogs front man, Mark teams up with a variety of musicians and like Travis Bickle, he will play anytime and anywhere and sometimes he'll show up alone with his guitar and he'll sing whether you want him to or not. Mark has toured with Bob Dylan, Warren Zevon, the Georgia Satelites, Don Henley, the Water Boys and played with many, many talented musicians. Mark's Website
Grant Maloy Smith™ is a singer/songwriter of American Roots music - a blend of old country, bluegrass, folk and Celtic influences into a uniquely American genre. His songs tell stories and paint pictures with words. Originally from Jacksonville Florida, Grant heard the strains of bluegrass from his Kentucky-born and raised Grandmother, and it got into his blood. His current album is the critically acclaimed Yellow Trailer, a collection of amazing songs that will take you on an invigorating ride through the fabled American south. His upcoming album is called Dust Bowl, and every song is set squarely in the Great Plains of the 1930's, during the worst economic and environmental disaster that America has ever seen. www.grant-maloy-smith.com
Jan Luby is known for her engaging, often riveting stage-presence as well as her voice full of passion, range and power. The readers of Rhode Island’s Motif Magazine thought so. They chose Jan as Female Vocalist of 2011. an's songs are evocative, lyrical and infectious personal stories. Her approach to songwriting ranges from socially relevant to irreverent, heartbreaking to humorous. As a solo performer Jan Luby is equally at home on a festival-stage in front of thousands as she is in more intimate settings, and has played coffeehouses, clubs, festivals and street-corners from Sweden to Greece and from New York to the Pacific Northwest.
Allysen Callery has been nominated for Best Female Vocals 2009, & 2010 by RI’s premier arts magazine, The Providence Phoenix. In early May 2011, Allysen will tour in Germany, Switzerland, & the UK with her first label Woodland Recordings (Berlin) , with whom she is releasing an EP also in 2011. "Allysen Callery might be the Tim Burton of folk music, her dark songs often transporting us to somewhere otherworldly. Highly recommended" - Call It Folk (May 01, 2010) "The only aspect of Allysen Callery's talents more impressive than her nimble, nylon-string finger-picking is her unmistakable voice." Chris Conti /The Providence Phoenix. Allysen's website
Joanne Lurgio, a talented songwriter, combined with her gifted voice and wonderful guitar work, will prompt you to chase your dreams and offer a tale or two about ordinary people who, like her, excel and inspire. Joanne’s newest CD release, Nothing Remains the Same, named Album of the Year 2010 Motif Music wards was recorded and produced by Mike Dunbar in the heart of music country, Nashville, TN who states, <br>"Her songs, singing and guitar work, honed and polished in the venues of New England, have brought her to be voted "Best Singer and Songwriter of 2007 & 2011 by Motif Magazine. Joanne has a distinct Americana feel with New England charm. She moves from country to bluegrass, folk and r&b to gospel, all with a bluesy undertone." Writing songs of life, love and simply being during our ever changing lives; bound to make you ask, “Is she talking about me?” Joanne's website
Dan Lilley & Scatman From 16 years of age, Dan Lilley began writing and playing Folk, Country, Folk Rock and Electric Rock and Roll music. From Saxophone in grade school to lead singer and rhythm guitarist, Dan has played coffeehouses, nightclubs, festivals and dances all over New England. Dan performed in SAYNE (a cover band for Richard Carr Productions) then formed a band called Tyger Tyger which released a 45 single and two EP's on cassette. Dan formed his LOVETRAIN band in 1993, releasing the cassette entitled "Off The Track" which featured 8 Lilley originals. Recently, the band released "Almost Home" a CD with 10 new songs by Lilley. Dan has received Certificates of Merit from Billboard for his submissions to their 1993, 1994, and 1998 song contests. He is a member of the Rhode Island Songwriters Association and The National Academy of Popular Music. Dan's website
John Fuzek has been performing his own style of music, either solo or as a part of a duo, around the Northeast and various points of the US for over 25 years. He began by performing the typical “cover-song/bar-gigs” but soon moved up to performing only his own original music. In 1989, he teamed up with Mary Ann Rossoni and formed the duo Fuzek•Rossoni. The duo quickly gained a large following and garnered quite a bit of success in the seven years they performed together. During what was supposed to be a “short hiatus” from performing, John produced the Hear In Rhode Island Festival for many years, showcases and workshops for the Rhode Island Songwriters Association, worked with other festivals, helped produce a few CDs by other artists, hung out with his dogs; and yes, even wrote and recorded songs for a couple of compilation CDs. John Fuzek is now back and performing as a solo act. His first solo, full length CD, “A Dog’s Age”, was released in May 2004. Recorded in March 2004, it is a collection of songs that reflect John’s passions, experiences and concerns. “A Dog’s Age”, was chosen by the Providence Phoenix as one of the BEST ACOUSTIC CDs in RI of 2004. Currently, John is working on material for future CD releases and booking shows for the "never ending tour". He is also a member of the award winning Neil Young tribute group "FOREVER YOUNG". John's website
In 1964, The Remains took Boston by surprise. The line of fans stretching from Kenmore Square to Fenway Park meant only one thing: It was “Remains Night” at The Rathskeller. By New Years Day 1965, The Remains were signed to a major recording deal, playing to packed venues throughout New England. By the end of the 65′ they had two regional hit singles on Epic Records and had performed for 14 million viewers on Ed Sullivan’s Christmas Show. In 1966, the group had two more regional hits, appeared on NBC TV’s Hulaballoo, and garnered a coveted spot as opening act on The Beatles’ U.S. tour. Enthusiastic response to The Remains’ performances were echoed by rave reviews in the local and national press. Following The Beatles tour, The Remains’ first and only album was released by Epic Records. By then, The Remains had disbanded. Now, over three decades later Barry Tashian, Vern Miller, Bill Briggs and Chip Damiani are back. With the release of their new albums, “The Remains”, and “Movin’ On,” and recent sold out performances in Europe and the U.S., The Remains (2010 inductees into the Boston Music Awards’ Hall of Fame) are once again taking the music scene by storm.
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Writing music best described as "Hope for the Hopeless," Sam Haiman has crafted a sound that is equally rooted in rock as it is in the 90s alt scene and modern country. Flavorful guitar hooks and catchy melodies sit atop a deep-pocket groove that moves the listener. Using strings, pianos, mandolins and even a melodica, Sam has created a cinematic sound that is as equally unique as it is reminiscent of artistry of an older time.
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The seed for Drunken Logic was planted when frontman Jake Cassman walked away from an Ivy League education, determined to forge a “surprisingly cohesive blend of pop punk and emotionally-charged folk rock” (Sound of Boston). The band’s first incarnation formed at Berklee College of Music in 2012. Ever since, Drunken Logic has been brewing a powder keg of eclectic influences and potent, topical lyrics in their shoddy Boston apartments. Accolades and accomplishments quickly followed the release of their debut album Something New to Burn in 2013 — they rocked AT&T Park (home of the San Francisco Giants), were named RAW:Boston’s 2013 Musicians of the Year, opened for Ed Kowalcyzk (formerly of Live), and were selected to Berklee’s 2014 CMJ Showcase. Fresh off their first tour in the fall of 2014, the band recently released their second album, Long Day’s Journey to the Middle, “a complete and sprawling thought” that “is not only worth of repeat listens, it requires them” (Speak Into My Good Eye).
Drunken Logic enjoy a unique and formidable live chemistry honed during busking performances at Boston’s Faneuil Hall, which hosts 18 million visitors annually. Cassman, talented multi-instrumentalist Ryan Jordan, and virtuosic guitarist Austin Wells have built upon and added to an already ambitious artistic vision. Drunken Logic are constantly reinventing their brand of music while battling the elements of contemporary America — and loving every minute of it. website
Drunken Logic enjoy a unique and formidable live chemistry honed during busking performances at Boston’s Faneuil Hall, which hosts 18 million visitors annually. Cassman, talented multi-instrumentalist Ryan Jordan, and virtuosic guitarist Austin Wells have built upon and added to an already ambitious artistic vision. Drunken Logic are constantly reinventing their brand of music while battling the elements of contemporary America — and loving every minute of it. website
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The Groms are a predominately indie driven surf rock band with hints of dream pop and vibrant psychedelia, formed in Keene, NH
Zach Tyropolis- lead guitar Joey Ogden-bass Ethan Janis-drums |
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The Whiskey Treaty Roadshow is a collaborative project that brings together Massachusetts singer-songwriters in the vein of Americana, Rock and Roots-Folk music to audiences throughout the commonwealth and beyond. Performances by Billy Keane, David Tanklefsky, Tory Hanna, and Greg Smith. Billy Keane is a singer-songwriter who lives in Pittsfield, MA and was discovered by the Berkshires First Family of Music, Kim and James Taylor. Billy’s heart may be in the sixties, but his music is pure 21st Century with his blend of folk and contemporary blues. David Tanklefsky is a songwriter and guitarist from Boston, MA who has been playing the guitar and writing songs since he was eleven years old. His formative musical years were spent as a member of Boston-based folk/rock/jazz kids Grimis, who toured the country, released three records and developed a steadfast following in the northeast music scene. Tory Hanna hails from the hills of Western Massachusetts, and has found his place in the genre of singer-songwriter stylings with influences ranging from Indie and Soul to Blues roots. Greg Smith’s writing reflects the maturity gained from the struggles of both country and urban life as well as the pursuit of his passion in the 21st Century. website
“I know how it’s supposed to go,” says Jefferson Thomas. “You write a bunch of songs, you make a record, then you hit the road and play those songs for everybody.”
Well, not this time. Yes, there will be a new full-length release from Jefferson Thomas in 2015, but which songs make it on there will be largely decided by the past year’s audiences. Thomas’ live shows are three or four hour servings of his volatile mix of indie rock and alt-country with a hangover, served up hot over a din of unruly guitars and blue-eyed-soul vocals. They're high energy, jammy, interactive affairs, with everything but the kitchen sink thrown in; solo acoustic segments, some choice cover tunes, maybe a short burst of stand-up comedy, and even on-the-spot songwriting.
A perfect example would be “Transmission,” an over-the-top psycho-billy rant that careens dangerously towards punk, born of equal parts necessity and serendipity on the way to a show. “I had just had the transmission in my van replaced, and the new transmission gave out on the way to a show. We made arrangements for alternate vehicles to come and take the gear, and everything was gonna work out fine, but while I was sitting there waiting for the tow-truck, I called the auto shop who did the installation and was reaming them out. I screamed into the phone, ‘Fix my f----in’ transmission’ - and the cadence and rhythm was so perfect that I hung up and wrote the whole song right there on the side of the highway. We worked it up right there and played it in front of people three hours later.”
The song has been a staple of Jefferson’s live show ever since, and along with some other crowd favorites, has easily earned its way onto the new record. “The whole thing is gonna be like that,” says Thomas. “It has to be. How many times have you slaved away in the studio on something you can’t stand hearing by the time it’s done? Not this time. I’m gonna be able to enjoy listening to this one myself.” continue reading at www.jeffersonthomas.com
Well, not this time. Yes, there will be a new full-length release from Jefferson Thomas in 2015, but which songs make it on there will be largely decided by the past year’s audiences. Thomas’ live shows are three or four hour servings of his volatile mix of indie rock and alt-country with a hangover, served up hot over a din of unruly guitars and blue-eyed-soul vocals. They're high energy, jammy, interactive affairs, with everything but the kitchen sink thrown in; solo acoustic segments, some choice cover tunes, maybe a short burst of stand-up comedy, and even on-the-spot songwriting.
A perfect example would be “Transmission,” an over-the-top psycho-billy rant that careens dangerously towards punk, born of equal parts necessity and serendipity on the way to a show. “I had just had the transmission in my van replaced, and the new transmission gave out on the way to a show. We made arrangements for alternate vehicles to come and take the gear, and everything was gonna work out fine, but while I was sitting there waiting for the tow-truck, I called the auto shop who did the installation and was reaming them out. I screamed into the phone, ‘Fix my f----in’ transmission’ - and the cadence and rhythm was so perfect that I hung up and wrote the whole song right there on the side of the highway. We worked it up right there and played it in front of people three hours later.”
The song has been a staple of Jefferson’s live show ever since, and along with some other crowd favorites, has easily earned its way onto the new record. “The whole thing is gonna be like that,” says Thomas. “It has to be. How many times have you slaved away in the studio on something you can’t stand hearing by the time it’s done? Not this time. I’m gonna be able to enjoy listening to this one myself.” continue reading at www.jeffersonthomas.com
Zak Smith, Montclair, NJ - "He's got an amazing ability to incorporate the sounds of alternative rock with Americana to form his own signature sound... remember his name.” (Gary Wien, "Are You Listening? The Top 100 Albums of 2001-2010 from New Jersey Artists)
Zak, 2013 Jersey Acoustic Music Award Winner for Best Vocalist, has a traditional and gospel influenced alternative/americana sound that has come from years of listening to artists like Neil Young, The Rolling Stones, and Bruce Springsteen.
Zak has been on several successful east coast and international tours, filmed many music videos, and received coast to coast buzz and sales from his releases including the latest album, SIGNS OF LIFE. He was recently added to NJ.com’s list of 35 NJ bands you need to hear in 2015. Stay updated by joining Zak’s e-mail list from his website, liking his facebook page, or downloading his free smartphone app.
Zak, 2013 Jersey Acoustic Music Award Winner for Best Vocalist, has a traditional and gospel influenced alternative/americana sound that has come from years of listening to artists like Neil Young, The Rolling Stones, and Bruce Springsteen.
Zak has been on several successful east coast and international tours, filmed many music videos, and received coast to coast buzz and sales from his releases including the latest album, SIGNS OF LIFE. He was recently added to NJ.com’s list of 35 NJ bands you need to hear in 2015. Stay updated by joining Zak’s e-mail list from his website, liking his facebook page, or downloading his free smartphone app.
New York's Matthew Foster-Moore has just finished his full-length debut. Produced by Jefferson Thomas and slated for a September release, "Headlines" is a thoroughly compelling amalgam of acoustic roots music with dashes of indie pop and funk thrown in. Foster-Moore is a modern singer/songwriter who has the balls to be edgy and funky (check out the rapid-fire rap delivery of “You Look Good To Me” and “Take It Or Leave It”) and the fearlessness to dial things back to traditional troubadour sensitivity, as in “Wakeup Call” and “Nolita”. “Gypsy Girl” chronicles the exploits of his globetrotting little sister over a backdrop of indigenous instruments as she passes through each distant land. The backbone of the twelve-song set is the combination of Foster-Moore’s rhythmic finger-style acoustic guitar and his warm, casual baritone. Matthew Foster-Moore's Website
For singer/songwriter/guitarist AJ Edwards, music has always offered a certain 'pull...'
"I think I've had this subconscious desire to play music for awhile," comments AJ, "but it all really began to surface when I first saw U2 perform in Boston in 2001. I began teaching myself guitar a couple days after." The Boston born/based artist soon began to realize his passion for songwriting and spent many late nights building a balanced set of original songs and covers. "For awhile I really just wanted to get out there and play, but at the same time I felt that I needed something original to work into my act first," says AJ. Eventually, AJ grabbed his acoustic and booked a few dates at local bars and college campuses, which resulted from his earliest steps on stage at numberous open-mics. Since then, he has collaborated with some highly respected artists in the local music scene including legendary studio drummer, John Dorizzi, and engineers, Dave Lefkowitz (Johnny A) and Jay Frigoletto (Alice in Chains, Oasis, Ani DiFranco) on his self-produced, debut full-band album, "Start Over the Moon." The record was released October 2009. Having toured in support of this release for a couple of years now, AJ recently caught the attention of multi-platinum producer. Aaron Johnson (best known for his work with The Fray), who invited him to record at world renowned Swinghouse Studios in Hollywood. With what AJ can only describe as a "dream team" of musicians behind him: Tim Pierce (Don Henley, Avril Lavigne), Zac Rae (Alanis Morissette), Jon Flaugher (The Weepies, Ryan Adams), and Marc Slutsky (Splender), AJ is more focused on his music career than ever. "My trip out west was just unforgettable, and I can't wait to show everyone what we came up with. I am so proud of this record." The three tracks will be featured on AJ's forthcoming EP, "Where the Rain Ricochets," which is slated for a March 2012 release. AJ's website
"I think I've had this subconscious desire to play music for awhile," comments AJ, "but it all really began to surface when I first saw U2 perform in Boston in 2001. I began teaching myself guitar a couple days after." The Boston born/based artist soon began to realize his passion for songwriting and spent many late nights building a balanced set of original songs and covers. "For awhile I really just wanted to get out there and play, but at the same time I felt that I needed something original to work into my act first," says AJ. Eventually, AJ grabbed his acoustic and booked a few dates at local bars and college campuses, which resulted from his earliest steps on stage at numberous open-mics. Since then, he has collaborated with some highly respected artists in the local music scene including legendary studio drummer, John Dorizzi, and engineers, Dave Lefkowitz (Johnny A) and Jay Frigoletto (Alice in Chains, Oasis, Ani DiFranco) on his self-produced, debut full-band album, "Start Over the Moon." The record was released October 2009. Having toured in support of this release for a couple of years now, AJ recently caught the attention of multi-platinum producer. Aaron Johnson (best known for his work with The Fray), who invited him to record at world renowned Swinghouse Studios in Hollywood. With what AJ can only describe as a "dream team" of musicians behind him: Tim Pierce (Don Henley, Avril Lavigne), Zac Rae (Alanis Morissette), Jon Flaugher (The Weepies, Ryan Adams), and Marc Slutsky (Splender), AJ is more focused on his music career than ever. "My trip out west was just unforgettable, and I can't wait to show everyone what we came up with. I am so proud of this record." The three tracks will be featured on AJ's forthcoming EP, "Where the Rain Ricochets," which is slated for a March 2012 release. AJ's website
Composer and saxophonist Ben Shaw lends a particularly unique voice to his compositions and projects. He earned his Bachelor’s Degree in Composition from the University Of Rhode Island, studying from such great musicians as Eric Hofbauer, Jared Sims, Joe Parillo, David Zinno, and Eliane Aberdam. Shaw has composed for small & large classical chamber ensembles, big band, various jazz ensembles, funk band, mixed groups, electro acoustic, as well as solo pieces for various instruments. His works range from jazz to classical, hip-hop to americana, and blues to avant-garde. Composing for a variety of media, Shaw has done work in short film and animation scoring.
As a performer, Shaw is a member of several different ensembles, in a range of styles. He plays saxophone and composes for several different jazz ensembles - ranging in size from duo to octet - in which he and his colleagues perform modern, American compositions in the jazz tradition. He is also the lead vocalist and tenor sax player, as well as the main composer and lyricist, for Rhode Island based hip-hop/rock/R&B band Milkbread. They recently released their first full-length album, which is available for download on iTunes, featuring tunes written or co-written by Shaw. Aside from being a performer, he also organizes a bimonthly concert series at Providence’s AS220 called "Is This Jazz?" and hosts a podcast with the same name, where he presents music and musicians exploring the outer limits of jazz. Shaw is excited to be a part of the growing Rhode Island arts community as a modern composer. Ben's website
As a performer, Shaw is a member of several different ensembles, in a range of styles. He plays saxophone and composes for several different jazz ensembles - ranging in size from duo to octet - in which he and his colleagues perform modern, American compositions in the jazz tradition. He is also the lead vocalist and tenor sax player, as well as the main composer and lyricist, for Rhode Island based hip-hop/rock/R&B band Milkbread. They recently released their first full-length album, which is available for download on iTunes, featuring tunes written or co-written by Shaw. Aside from being a performer, he also organizes a bimonthly concert series at Providence’s AS220 called "Is This Jazz?" and hosts a podcast with the same name, where he presents music and musicians exploring the outer limits of jazz. Shaw is excited to be a part of the growing Rhode Island arts community as a modern composer. Ben's website
Samuel James is part Bill Withers, part Tom Waits, part James Brown, part Leo Kottke, and part P.T. Barnum. A roots troubadour of the highest order, James will sing you a song with raw, sweat-pouring soul, all the while playing the guitar with such commanding virtuosity you'll swear he's reinventing it. Then he'll tell you a story enrapturing you to the point where you'll almost forget he's a musician. Samuel James was born the last in a long line of performers including dancers, story tellers, porch-stomping guitar thumpers, and a session-jazz pianist dating back to the 1890s. James' songwriting has everything from the heavenly flights and evil pits of love to tales of true and bizarre folk heroes. On stage he can be seen sliding on a resonator, fingerstyling a flamenco guitar, clawhammering a banjo, neck-racking a harmonica, and occasionally showing off on the piano if there happens to be one around. Samuel James has received standing ovations for his solo acoustic work from Maine to California as well as Canada England, Ireland, Wales, Scotland Germany, France, Norway, Belgium, Poland, and Turkey. Samuel's Website
Featured on NPR, Lindsay Adler is a composer, multi-instrumentalist and vocalist who seamlessly bridges the gap between ancient and modern folk music, crossing cultural boundaries with her unique blend of acoustic fusion. Known for her skillful approach to the guitar and graceful fluidity of a wide variety of stringed instruments including the lyre, dulcimer, harp, vielle a roue, bouzouki, guitar and other exotic instruments. She engages the audience with quick wit, humor and flexible vocal stylings. Her journeys have led her from concert settings to folk festivals, puppet companies to theatre ensembles. She also writes for children and is known for her entertaining and educational children's performances as "Mother Nature." Lindsay's website
One of the highlights of our first SENE Film, Music & Arts Festival was the performance of Thus Spoke the Spectacle by Eric Goodman and Mike Stevens. Their combination of creative original music with thought provoking images on film presented a unique sensory experience that was enjoyed by our audience which included independent filmmakers, musicians and artists. Regardless of your position on the political spectrum, their "story" hits home with current events images that seem to transition with each note emanating from Eric's guitar solos. We at SENE feel extremely fortunate to have had Eric and Mike perform at our festival and in hindsight, we wish we would have scheduled another performance so that more of our festival attendees could enjoy the unique experience that is Thus Spoke the Spectacle. Website
Steve Allain was raised on country music and Elvis Presley records. He always daydreamed about playing in a band. When Steve was nine, his family returned to New Brunswick, Canada. Family get togethers with uncles, aunts, and cousins gave him his first experiences with live music. Although many relatives played instruments, it would be nine more years before Steve bought his first guitar. Steve attended and graduated from The Musicians Institute in Hollywood, California, and later received a Bachelor’s and a Master’s degree in music. These years really helped to shape the musician/composer/songwriter that he has become. Not limited to playing in rock bands and jazz quartets, Steve also composed for classical and experimental ensembles. This melting pot of styles has and continues to shape his musical approach. Not one to be pigeonholed, Steve has returned to songwriting armed with years of experience and diversity creating a smart and unique blend of music that is widely varied, yet highly accessible to a broad audience. His album "thirteen" was released in May 2011. Steve Allain currently lives in Providence, Rhode Island. Steve's website
Anne's Cordial plays a musical cocktail of folk, blues and retro songs with enchanting three-part vocal harmonies and unique instrumentation: guitar, harp and keyboard. Described as everything from "chamber folk" to "neo-classical," Anne's Cordial is a bright new voice in the New England acoustic scene with skillful arrangements of old and original songs. The beautiful vocal harmonies of Anne's Cordial are what most listeners first remark on, but each band member is a versatile musician as well. Natalie Markward, who arranges most of the music, alternately fingerpicks, slides, and solos on jazz guitar; E. Reed Ferenbaugh interchanges ethereal solos and bass accompaniments on harp; Eva Kendrick, who plays keyboard and writes most of the original songs, sets lyrics "alternately chilling and sweet," and Joe Auger on a scaled-down drum kit adds the perfect backdrop for any style. At an Anne's Cordial concert, you might hear bossas from the '60s, New Wave songs from the '80s and original folk-influenced songs that tell fable-like stories.
Chicago Vin is a Singer / Songwriter and veteran east coast side-man. Steeped in Blues, Rockabilly, & Punk, He sites the Blues Masters, The Million Dollar Quartet, Hank Williams, The Beatles, The Rolling Stones, The Ramones, & The New York Dolls / Heartbreakers as influences. In 1975, he began his career with The Luther Johnson Chicago Blues Band. In the late 70’s, he formed The Delinquents, recording the EP, “It Is What It Ain’t”, before joining Jack Smith & The Rockabilly Planet recording two CDs on Ruckus & Flying Fish/Rounder Records, featuring legendary twang-master, Jerry Miller (J. Geils/ Ellen Jewel). After Jack Smith retired from the music business in 1990, Chicago Vin went on to join Loaded Dice, the former backup band for Louisiana harmonica legend, Lazy Lester, recording their CD “Loaded Dice” for Schoolkids Records. In 1991 he met & recorded with drummer Jerry Nolan (NY Dolls / Heartbreakers) playing bass & guitar on what would prove to be Jerry’s last session. In 2001, he joined The Greg Allen Group in NYC, recording the CD, “Just for You” with Johnny Rao (David Johansen/ Helen Schneider) on guitar. He has also had the occasion to back such notable musicians as Sonny Burgess & Paul Burlison, James Montgomery, Lazy Lester, Delta Bluesman CeDell Davis, Hubert Sumlin, & Sleepy La Beef. In 2003, Chicago Vin began studying acting at The Perishable Theater Arts School in Providence RI. He is featured in the Showtime series, Brotherhood, Ridley Scott's Tell-Tale, & the ABC TV series, Body of Proof, starring Dana Delany & Jeri Ryan.
Jose Docen brought his dynamic and unique singing and songwriting skills to SENE during 2 festivals. In 2009, Jose impressed a sold-out audience at SENE‘s extremely successful art reception. Jose is a graduate of Central Falls High School (RI). Jose's website
Rick Drost started singing with a Kingston Trio-style group in high school, and continued in a small folk group in college, the glee club and an opera chorus as well. He started writing and singing around coffeehouses in DC and New England 70s, finally settling in Cambridge MA where he started playing with the folk-rock group Parts and Labor. In the late 90s, Rick took up choral singing again, then Parts and Labor regrouped to record “Twelve Dared Dreams”. Rediscovering songwriting with help from the (national!) live music community, Rick hasnow found that living so that music comes out is its own reward. He performs at least once a week, wherever he goes, and has enjoyed stints with great instructors and students at Song School in Colorado, SAMW and other workshops. His inspirations include Joni Mitchell, Dylan, Dave Carter, Eva Cassidy, Brahms, Mozart, and Julia Child.
Fighting The Influence was formed in 2007 in Fall River, MA. Singer/guitarist Joshua Pereira, singer/keyboardist Pedro Braga, and drummer Sandro Braga had only played several shows together before partnering with A&P Studios. After recording their first single “Reach for the Moon” with White Noise Records (RI), the band’s single was released on the label’s debut compilation album, entitled “Recorded, Remixed, Reborn” in December of 2007 at Lupo’s Heartbreak Hotel in Providence RI. In September 2008 Fighting The Influence recorded and released their debut self titled EP, along with a music video for the successful single. In 2009, bassist Andrew Cabral joined FTI and consummated the band’s roster. On November 7th 2009, Fighting The Influence released a brand new, professionally produced music video alongside independent video producer, Habib Semaan for the single “This is Goodbye” which was selected to be part of the 2010 SENE Film, Music & Arts Festival music video competition. http://www.fightingtheinfluence.com
Sarah Ann McGinnis is a musician, actor and dancer living in Rhode Island. She currently runs Wingmaker Entertainment (website), a small company providing high quality, elegant entertainment for parties and other events. She has studied harp since high school in Iowa and continues her studies with Ms. Mary Jane Rupert of Cambridge, MA and plays at weddings and events in the local area. She is also a student of hula and has studied with Halau I Ka Pono and Hula Workshop of Southern New England; she currently runs a Polynesian dance troupe, The Island Paradise Dancers, the performs at lua'u and parties all over New England. She is also a member of the JMK Frindge Dancers who perform regularly throughout Rhode Island, including their latest Valentine's production at the Hi-Hat. She is also a proud member of the Screen Actor's Guild and has worked on multiple local productions.
Steven Palumbo Lush…resonant…romantic. The words apply not only to the lyrics of the songs he sings, but also to the qualities of Steven Palumbo’s elegant voice. The sheer love of music and performing comes through in every note he sings. His powerful voice and personal charm play well to fans throughout New England and indeed all along the East Coast. His show is well suited to smaller venues where audiences can get close and really succumb to the serenade. To Steven, it’s all about being true to the music, to the intent of the song and to reaching the hearts of audience members. In his live performances, Steven warmly embraces swing classics made timeless by the great romantic American balladeers. He performs the music of Nat King Cole, Tony Bennett, Dean Martin, Louis Armstrong, Bobby Darin and Mel Torme, among others. He also includes standards from such ‘new classics’ as Harry Connick, Jr. and Andrea Bocelli. A natural entertainer, Palumbo began singing during his childhood in Providence, Rhode Island. He studied voice and grew up loving all kinds of music. In fact, he was spotlighted early on when selected for the prestigious Barrington Boys Choir. Through that opportunity, he appeared in the operas Carmen and Tosca at the Providence Performing Arts Center and roles in musical theatre followed. Though he later graduated from Ithaca College in New York with a degree in special education, Palumbo never lost his ease onstage. A teacher by day, he sings professionally by night, and audiences applaud this doubly-talented individual. Steve's website
Red Ed and the Undead is the pop/rock project of composer/front man Ed Able, who is delighted to enlist the aid of his friends and peers as the Undead. The songs of Red Ed and the Undead are informed by an enthusiastic obsession with the Beatles, the Smithereens, Colin Hay (Men At Work), The Psychadelic Furs, and many other artists. Source material includes preoccupations with science fiction, the color green, technology, bachelorhood, hated media personalities and of course ex-girlfriends. One ex in particular who's become a good friend proved quite inspiring.
Kayla Ringelheim is a singer-songwriter piano-player from the Boston area who now calls Providence home. She has been playing in the New England folk music circuit for about 8 years. With a voice that will float you to another time and lyrics that will bring you back again, she sings folk poetry with a touch of ivory and will make you smile 60% of the time, 100% of the time. "So I'm 21 years old, and I’ve been writing music for about 10 years. I started playing and hanging around Harvard Square's fabled Club Passim before I knew what Club Passim was. The sense of community, history, and love for music there seeped into me at a young age. Now, music to me is about telling stories, bringing people together, and feeling something more with the help of a few chords. My appreciation for creative expression runs deep, and I thank my lucky stars that music plays the role it does in my life. I have a full length album ("Tides") and an EP ("Play") out, and I have recently recorded with producer/musician Lorne Entress (Lori McKenna, Mark Erelli) for an eventual new CD. I’m currently a student at Brown University, where I spend my days feeding my noggin while constantly trying to feed my soul. Someone once told me that my music is like a warm cup of tea. If you agree...feel free to drink up." Kayla's website
Mark Taber first became fascinated with music as a child when his two aunts would come over and sing and play standards on the family piano. He started out on classical but in his teens he soon found the jazz piano of such heroes as Erroll Garner and Theolonius Monk, He also found the blues: Big Joe Turner, Muddy Waters, Otis Span. Circa 1973 Mark was banging keys with the legendary East Providence sons, The Tombstone Blues Band. Tombstone included Ken Lyon and sometime guitarist Duke Robillard before he became the "Duke". Columbia recoding artists Tombstone toured and opened for Janis Joplin, Mott TheHoople and early Queen. Mark can play everything from classical to New Orleans barrelhouse blues to his own unique piano excursions through Dylan, Pink Floyd to Bowie.
Pat and Sarah Tallarico have been involved in bands for 25 years playing a wide variety of music. They have recorded 3 CD’s and their 4th is soon to be released entitled “Good Chemistry”. This new CD is with their current band named Catalysis featuring guitar, bass, drums, keyboards, trumpet, saxophone, flute and percussion, mandolin or whatever is needed for any given song produced by this 5 person band. The style of Catalysis is very eclectic ranging from rock to folk, jazz, spiritual and Celtic depending on their song choices for any given venue. The band has a myriad of experience in other bands when brought together just works like a charm. Pat and Sarah were nominated for the Grammy’s several years ago in 4 categories. Whether they appear with their full band or as a duo they have such a love of music and people that they are great crowd pleasers. Pat and Sarah's website
The dynamic and multifaceted Kim Trusty is a powerful and diverse vocalist, songwriter, guitarist and actress. Kim draws on jazz, rhythm & blues, vocal improvisation, roots, rock and undemanding lyrics, bringing her life, heart and work experiences into unforgettable and unique performances. Kim Trusty means lyrics you can roll the windows down and sing your heart out with. Kim Trusty means a diverse festival or concert audience is on their feet, swaying to the rock beats and soul harmonies. Rock demands energy. Singer-songwriters use music to express themselves and require thoughtful lyrics. Rhythm and Blues provides heart and soul. Jazz requires on the spot creativity, an on the spot, in the moment creativity combined with the challenge of these styles is what Kim savors. http://www.kimtrusty.com